I <3 iZombie


With the season 3 hitting our screens next month I’m looking back at the first two seasons of this compelling TV show created by Dianne Ruggiero and Rob Thomas (also responsible for Veronica Mars).

In the tradition of Lucifer, The Walking Dead and Preacher, iZombie is another comic to TV adaptation. Lucifer and iZombie follow a similar pattern, partnering with crime solving detectives, while trying to make their lives meaningful. In spite of this and a plethora of zombie shows and films, iZombie is unique enough to really draw the viewer into its world and tongue in cheek enough to make us laugh out loud.

 iZombie is a delight especially with its male characters. Although the lead is female, Liv Moore (played by Rose McIver), most of the main players are male. These male protagonists (the good guys at least) fall prey to none of the usual toxic masculinity stereotypes. They are intelligent, funny, respectful of women and playful with each other.

Keep reading on my blog

Deadsville, 13 tales of horror, a review

“Deadsville” by Dale Elster and T.D Trask is a collection of short stories all connected by their setting – Rock Creek. The styles reminded me of Dean Koontz and Stephen King. Both writers, Elster and Trask have similar writing styles, which work well together in this collection.

There were a couple of stand out stories. “Head Shot” about a young man trying to survive a zombie apocalypse, and “Still Water” about a haunted river and two teenage boys, both by Dale Elster.

In each story something spooky and unexplained happens and it is this spooky event which is the crux of the story. This works. Masters of horror have often crafted tales this way. Don’t expect character progression though. That isn’t what these stories are about. The setting, Rook Creek, is the main character and all the stories link back to that place.

It’s an enjoyable read and a great introduction to both writers. 5*

Preacher, 2016, a review.

Imagine a town so degenerate that it makes Twin Peaks look like an ideal place to settle. A town with a diseased heart, run by a murderer who worships the god of meat. This town is Annville and it is the setting for the first season of AMC’s brilliant series, Preacher.

Add plenty of bloody violence, and “Misfits” style humour, in a large part thanks to the wonderful acting of Joseph Gilgun and Ruth Negga, and you start to get the flavour of what this superb series is about.

But the recipe is much more complex. We have a dark and dangerous town, we have insane and violent background characters, and then we have equally violent angels (complete with a chainsaw), trying to recover the voice of Genesis, which for some reason has found a home within bad boy preacher Jesse Custer. Custer’s best friends are a vampire and his childhood sweetheart, Tulip. Their enduring friendship and their simultaneously heartbreaking and heart-warming romance is the most realistic thing in the show. If “True Romance” starred a vampire and angels it might still fall short of the glory that is Preacher.


Every episode is a delicious treat, as Jesse tries to bring the townsfolk to God. Forget Ash v Evil Dead and Z Nation. Preacher is the funniest and most violent horror show I’ve seen so far. If you haven’t seen it yet, don’t wait too long. Season 2 promises to be even better.


The Purge, Election Year, (2016)

The third of The Purge films looks at organised Liberal political resistance to the New Founding Fathers (NFF) and their night of worshipping violence. There is no nuance to the plot or characters. The “good guys” are Senator Charlie Owen, a Liberal politician attempting to change the law within the system, her head of security, Leo Barnes (the former police sergeant from the second film) and the people who support Owen’s campaign. These heroes are pursued throughout the film by the bad guys, the NFF, their White Power Nazis who supply the wealthy populous with Purge Night victims. Far Right America is joined by white “murder tourists” to embrace the purge. Resentments, hatred and the sadistic impulses of American citizens are saved up until the one night of the year where they can let loose without fear of legal consequences. The argument is that crime rarely happens in this new society and that extreme violence once per year eradicates crime for the other 364 days. The link between poverty and crime in society is acknowledged in one way only – as Malthusian population control, legally culling poor neighbourhoods on Purge Night.

In the first film we witnessed a family, who benefited financially from the purge (security systems salesperson), being targeted by jealous neighbours. In the second we saw how The Purge disproportionately affected people of colour and the rise of an armed resistance group led by the charismatic Carmelo, which actively fought against the powerful, bringing the violence to their privileged doorsteps.

I would have loved this third film to look deeper into this armed resistance group, but instead it looked at a Liberal politician who wanted to become president to change the law and stop the purge. The parallels of Clinton v Trump were nauseatingly clear at every step. Once again we were taken “down town” to see how the victims of this violent night were overwhelming the poor and black citizens. We do get to see the heroes of the neighbourhoods offering medical services and sanctuary. And these people help and support the Liberal politician during a sustained assassination attempt, ordered by the NFF and carried out by a punch of White Power Nazi soldiers. This is where things get tricky. The politician prevents this group from assassinating the NFF leaders with hollow promises of political change from within. I think we are supposed to leave the film thinking the good guys won. I felt the good guys had been betrayed by Liberal nonsense.

The politician’s sense of morality isn’t challenged while they are taking out the hired guns, but as soon as they reach the rich people who hired them, she whines that killing them would be wrong, that it would make them no better than the New Founding Fathers, and that change can only be made within the existing political system. What frustrates me is how believable the character is. This hypocrisy surrounds us in the West all the time and is rarely questioned. Well I question it and for me it made the third film much weaker than the first two.


There were some highlights. Laney and her partner in the paramedic van, the candy girl and the underground hospital were wonderful. The jump scares were frequent and the violence was bloody. As a horror film it works, but as a story, the end sucks balls.



3/5 at a push. Watch The Purge: Anarchy instead. It’s a much better film.

Review originally posted to terror-realm.co.uk

The Starblood Trilogy


The Starblood Trilogy – read chapter 1 for FREE – http://smarturl.it/Voiez1.

#horror #gothic #demonology #gothicromance #lgbt

Cruelty, sexual obsession and death.

Starblood (book 1) Be Careful What You Wish For.

When Satori invokes a demon, hell comes to earth.

Sex, Goth subculture and violence mix to create an explosive narrative.

“Carmilla Voiez makes Clive Barker look like Stephanie Meyer.” Jef Withonef (Houston Press)

Psychonaut (book 2) An epic journey within the mind of a magickian that spans worlds.

Psychonaut is a unique mix of horror, BDSM, sex and magic with Kafkaesque surrealism to terrify and inspire.

“A work of genius or insanity.”

“Carmilla Voiez is more of a singer than a writer. She tells her compelling story in a hypnotic, distinctive voice that brings her eerie world vividly to life.” Graham Masterton.

Black Sun (book 3) An intricate web of murder, intrigue and magic allows gods to rain chaos and despair upon all. of human life.

“’Black Sun’ is the perfect conclusion to the Starblood Trilogy. The book is well written, with Gothic atmosphere, and it’s a refreshing look at life, death, family, friendship, and the every changing world around us.”